thousand knives of ryuichi sakamoto album

Pecker – Syn-Drum solo on 'Plastic Bamboo'.

Tatsuro Yamashita – castanets on 'Das Neue Japanische Elektronische Volkslied'.Yūji Takahashi – piano on 'Grasshoppers'.Kazumi Watanabe – Alembic guitar solo on 'Thousand Knives' and 'The End of Asia', rhythm on 'The End of Asia'.Motoya Hamaguchi – Syn-Drum solo on 'Thousand Knives', Brazilian bird whistles on 'Island of Woods'.Harry Hosono – zill on 'Thousand Knives', liner notes.Hideki Matsutake – computer operation, synthesizer programming assistance.Ryuichi Sakamoto – synthesizer ( Moog III-C with Roland MC-8 Microcomposer, Polymoog, Minimoog, Micromoog, Oberheim Eight Voice Polyphonic with Digital Programmer, ARP Odyssey, KORG PS-3100 Polyphonic), vocoder ( Korg VC-10), analog sequencer (KORG SQ-10), Syn-Drums, piano (on 'Grasshoppers'), marimba, orchestration, production, liner notes.'Das Neue Japanische Elektronische Volkslied' ( 新日本電子的民謡 Shin Nihon Denshiteki Min'yō, 'The New Japanese Electronic Folk Song') 'The End of Asia' would also regularly appear during YMO shows, with a drastically different studio version included on their X∞Multiplies album.Īll tracks are written by Ryuichi Sakamoto. 'Plastic Bamboo' was also a staple of early YMO shows, though the only recording appears on their live album Live at Kinokuniya Hall 1978 released in 1994, sixteen years after being recorded. Numerous other arrangements have been performed live over the years, both by YMO and by Sakamoto himself these performances contain one of the earliest uses of the Roland TR-808 drum machine. 'Thousand Knives' is a staple of Sakamoto's repertoire, being rearranged for his synth-pop band Yellow Magic Orchestra in 1980 for their BGM album as a classical trio for and for a piano duet on /05. Thus, the album as a whole summarizes Sakamoto's then-interest in Chinese history. 'The End of Asia' uses the same melody as Haruomi Hosono's 'Worry Beads' from Paraiso (though Sakamoto has claimed that the use was entirely coincidental) and the coda uses the melody of ' The East Is Red', the national anthem of the People's Republic of China during the Cultural Revolution. The second side of the album contains varied electronic music pieces. On original copies of the album, the entire first side was indexed as one 24:40 long track.

The modern classical piano piece 'Grasshoppers' follows. The piece segues into 'Island of Woods', a ten-minute analog synthesizer composition designed to sound like the natural sounds of an island. The song proper is performed in a reggae hymn style, inspired by Herbie Hancock's Speak Like a Child album. The title track begins with a vocoded Sakamoto reading ' Jinggang Mountain', a poem written by Mao Zedong during his visit to a well in the Jinggang Mountains in 1965.

Thousand knives of ryuichi sakamoto album